Under the instruction of Richard Auber from Zuckermann Harpischords, I built a 45-key replica of a fretted clavichord nicknamed the “King of Sweden,” after a seventeenth-century German instrument (featured in the photograph on the right) once reputed to belong to a Swedish King.  I also assisted Robert Murphy, Historical Piano Technician at Oberlin College, with repairs to an 1803 Broadwood model piano.
Copyright © 2016, Daniel Walden.  All Rights Reserved.
VI Annual Meeting of the MOISA International Society for the Study of Greek and Roman Music and its Cultural Heritage                                           Agrigento, Sicily - May 14-16, 2013
Biography/Press • Audio •
The 2nd International Conference on Historical Keyboard Music,         University of Edinburgh                                                                                          Edinburgh, Scotland - July 19-21, 2013
Vitruvius and His Maiores: The Legacy of Music Theory and Magna Graecia on Architecture
Musica Prisca Caput - The Theory and Repertoire of Experimental Keyboards with More Than Twelve Keys Per Octave
Noting Images: Understanding the Illustrated Manuscripts of Mendelssohn’s Schilflied and Hindemith’s Ludus Tonalis
Music Theory Online, August 2010, vol. 16 no. 3
Pianofortepiano: Exploring the Use of Historical Instruments as a Heuristic Guide to Performance on the Modern PianoWritings_Other_files/walden.pianofortepiano.pdfWritings_Other_files/walden.pianofortepiano.pdfshapeimage_12_link_0shapeimage_12_link_1
Music Teacher’s National Association E-Journal, November 2010
Ut Pictora Musica: Carlo Farina’s Capriccio Stravagante and the Kunstkammern
Nota Bene, vol. 5 no. 1
Land That They Loved: Patriotism in the Works of Jewish-American Composers
Concord Review, Spring 2006, vol. 16 no. 3
[also appears in Iran’s Music Report Magazine, March-April 2012, vol. 47 no. translated by Farshad Moshfeghi]
Barbaro 500 - Architecture, musique, peinture, perspective, Centre d’Études Supérieurs de la Renaissance                                                                      Tours, France - November 13-15, 2013
Barbaro’s Della Musica and the Mechanics of Vitruvian Music Theory and Practice
Frozen Music: Music and Architecture in Vitruvius’ De ArchitecturaWritings_Other_files/walden.grmsvitruvius.pdfWritings_Other_files/walden.grmsvitruvius.pdfshapeimage_22_link_0shapeimage_22_link_1
Greek and Roman Musical Studies, January 2014, vol. 2 no. 1
The Visual Arts and Music in Renaissance Europe c. 1400-1650, The Courtauld Institute of Art                                                                             London, UK - January 18, 2014
Music and Alchemy in the Garden of the Villa di Pratolino
Revisiting the Legacy of Boethius in the Middle Ages, Harvard University                                                                   Cambridge, MA - March 12-15, 2014
Charting Boethius: Music and the Diagrammatic Tree in Cambridge University Library De institutione arithmetica, Ms. Ii.III.12
A Grand Tour of Italian Keyboard Literature
Early Music, Spring 2014, vol. 16 no. 3
2014 Joint Annual Meeting of the American Musicological Society and the Society for Music Theory                                                                    Milwaukee, Wisconsin - November 6-9, 2014
Musica Prisca Caput: Vitruvian Music Theory and Enharmonicism in Sixteenth-Century Italy
2015 Joint Annual Meeting of the American Philological Association and the Archaeological Institute of America                                                                     New Orleans, Louisiana - January 8-11, 2015
Musica Prisca Caput: Vitruvian Music Theory and Enharmonicism in Sixteenth-Century Italy
[as organizer] Work & Play: Economies of Music
2015 Harvard University Annual Graduate Music Forum Conference,                                                                   Cambridge, MA - February 20-21, 2015
Sound and Scent in the Garden,%20Journal%20of%20Landscape%20Architecture/pr-500584723/cat-cat1960034shapeimage_37_link_0
LA Journal of Landscape Architecture, Winter 2014, vol. 42
contemporary piano, historical keyboards, writing and research/Users/danielwalden/Desktop/
Charting Boethius: Music and the Diagrammatic Tree in the Cambridge University Library’s De Institutione Arithmetica, Ms II.3.12 Writings_Other_files/walden.earlymusichistory.pdfWritings_Other_files/walden.earlymusichistory.pdfWritings_Other_files/walden.earlymusichistory.pdfshapeimage_44_link_0shapeimage_44_link_1shapeimage_44_link_2
Early Music History, 2015, vol. 34
Dom Mocquereau’s Theories of Music and Romantic Aesthetics
Études grégoriennes, 2015, vol. 42
Renaissance Society of America Annual Conference                                    Boston, MA - March 31-April 2, 2016
Music, Nature, and Power in the Gardens of the Villa d’Este
Schoenberg’s Typewriter: The Notenschreibmaschine and Musical Composition
American Musicological Association Annual Conference                                        Louisville, KY - November 12-15, 2015
An ‘Ideal’ Music: Hugo Riemann and Nineteenth Century Experiments in Enharmonic Keyboard Design
Society for Music Theory Annual Conference                                                    St. Louis, MO - October 28-29, 2015
Keyboard Networks (Westfield Center for Historical Keyboard Studies)                                   Cornell, NY - March 4-5, 2016
Decoding Tristan Perich’s Dual Synthesis